Money Matters in European Artworks and Literature, c. 1400-1750 focuses on coins as material artefacts and agents of meaning in early modern arts. The precious metals, double-sided form, and emblematic character of coins had deep resonance in European culture and cultural encounters. Coins embodied Europe's power and the labour, increasingly located in colonised regions, of extracting gold and silver. Their efficacy depended on faith in their inherent value and the authority perceived to be imprinted into them, guaranteed through the institution of the Mint. Yet they could speak eloquently of illusion, debasement and counterfeiting. A substantial introduction precedes essays by interdisciplinary scholars on five themes: power and authority in the Mint; currency and the anxieties of global trade; coins and persons; coins in and out of circulation; credit and risk. An Afterword on a contemporary artist demonstrates the continuing expressive and symbolic power of numismatic forms.

This volume is concerned with images and discourses of the artist in the Netherlands from the late 15th century until the mid 17th century, when the relationship between a community of craftsman and elite individuals, between consciousness of a native tradition and membership of international humanist society, between image and word, between hand, mind and spirit, were being actively negotiated.

Portraiture occupies a central position in the history of Western art. It has been the most popular genre of painting and has been crucial to the construction and articulation of individualism. Despite this, its status within academic art theory is uncertain and there is no adequate critical analysis of the subject available. With an international team of specialists, including Patricia Simmons, Ludmilla Jordanova, John Gage, Marcia Pointon and Ernst Van Alphen, this volume provides a much-needed, comprehensive and up-to-date introduction to the major issues in the history of portraiture. The book's chapters are structured chronologically, progressing from the Italian Renaissance to Dutch seventeenth-century portraiture and on to Picasso, surrealism, Lucian Freud and Cindy Sherman. Each chapter examines the key developments in portraiture within each specific period, complete with analytical subheadings, making this an ideal book for students.